Michael Moyes is a Senior Student Advisor at Berkleemusic.com. He finished his studies at Baylor University, where he studied Piano Performance and Business. Michael has performed Piano as a soloist, in combos, and accompanied by full Orchestra. He holds Master Certificate in Arranging and Orchestration from Berkleemusic. You can hear some of Michael’s music on the Berklee Music Network and on Soundcloud.


“Learning licks and expecting to know how to improvise is akin to memorizing phrases in a French book and expecting to know how to speak French. One can only truly learn language by conversing with other people”

This paraphrased quote showcases the ‘vibe’ (sorry) that Gary Burton gave off throughout our conversation about his new Gary Burton: Jazz Improvisation course. Gary taught his style of improvisation here at The Berklee College of Music for over 20 years while at the same time playing with Chick Correa, George Shearing, Stan Getz, and other world renowned improvisers.

Every song has a story to tell and it is our job as improvisers to provide our own unique accent, inflection, timing, etc. Simply playing mixolydian runs every time we see a dominant 7th chord or dorian arpeggios over ii chords is missing the point of improvisation. True improvisers should be fine tuning ideas and giving them emotional content as they perform much like you would do with words when having a verbal conversation.

Gary stressed the importance of knowing what you are going to say and planning how you will say it before opening your mouth, striking the keys, or lifting your mallets. When a president gives a speech, they have some ideas prepared: an introduction, main points, and a conclusion perhaps. Without having an idea of what you are going to say you might sound like this…

“Hello, my name is President Burton and um, today I’m going to talk about some very important things…like the errr…economy and…global warming…”

Sure, the speaker hit some points: the economy, global warming, etc. but failed to tell us a story. As listeners, we are left craving more information, hopefully from a better speaker. As a former transcriber of Jazz solos, I have fallen into the trap of parroting others styles and licks without really saying much of anything. Lucky for me and many of you, Gary is sharing his extensive wisdom with us so that we can form our ideas and communicate on much higher levels. See you in class.

Michael Moyes

*(this class filled up almost immediately last term so we recommend getting in early)

Check out this video of Gary for more…


Berkleemusic’s next term begins on April 2nd, 2012.

Find out more at berkleemusic.com or contact a Student Advisor:

1-866-BERKLEE (USA) | +1 617 747 2146 (Intl) | advisors@berkleemusic.com


Berkleemusic Advisor Michael MoyesMy name is Michael and I am an advisor here at Berkleemusic. I come from the world of classical piano where some may argue, reading and interpreting music is more important than creating it.

I felt a strong desire to branch out and explore the Blues and Rock keyboard styles that I love listening to and luckily I found Dave Limina. Dave is a professor in the Berklee College of Music Piano department and has had extensive experience as a pianist, organist, composer, and arranger. Dave teaches Berkleemusic’s online Blues and Rock Keyboard Techniques.

Through video, interactive exercises, discussions and audio examples, Dave easily took seemingly complex musical ideas and made them understandable and attainable for our class.
We learned how to comp and solo in the Chicago Blues, Texas Shuffle, Slow Blues, Rock & Roll, and New Orleans styles (my favorite). Common blues licks such as the cascade lick and professor longhair’s licks are also intertwined within the core content so we can add some virtuosic flare to our playing.

In my opinion this is the perfect course for any players who have been playing the keys for a while and want to branch into Blues, Rock, Gospel, and other modern styles of music. Students should have good basic keyboard playing and reading skills along with knowledge of major scales, 7th chords, and basic rhythmic notation. You will be submitting recorded assignments as .mp3 files. Since I am new at recording, I opted to use a free and easy to use program called Audacity to record my playing. I now have several great recordings I can share with peers and fellow musicians. You can download the program to make your own recordings here.

I created this .mp3 which showcases the “Slow Blues” and “New Orleans” styles. The New Orleans piece is an original tune I wrote for one of my lessons…

Blues & Rock Keyboard Recording (MP3)

Be sure to check out Blues and Rock Keyboard Techniques. You should also watch this amazing performance from Berklee Professor’s Dave Limina and Russ Hoffman below.

Happy Playing!

- Michael Moyes


Contact a Berkleemusic Student Advisor
1-866-BERKLEE (USA) | +1 617 747 2146 (Intl) | advisors@berkleemusic.com